Pages

Sunday, April 19, 2026

Sakura Album, 2026

The period from late March to the second week of April feels so fleeting every year. 
The reason lies in the blooming of 桜 Sakura; its peak is so short that we want to be present 
and appreciate the “now”.
The delicate and elegant beauty of Sakura blossoms is a moving expression of life, death, and rebirth. 
Impermanence is what makes life precious.


- One of the parks in my neighborhood, March 30th -





- Along the 佐保川 Saho River, April 2nd -







- 春日野園地 Kasugano-enchi, Nara Park, April 3rd -







-茶山園地 Chayama-enchi, Nara Park -

奈良の九重桜 Nara-no-kokonoe-zakura species








- Along the 賀茂川 Kamo River, Kyoto, April 6th -

Driving along the Kamo River, Kyoto, and celebrating my husband's birthday.





 Have you ever seen Sakura brizzard?
The falling petals are a spectacular finale that promises the cycle of life.

散るという  飛翔のかたち  花びらは  ふと微笑んで  枝を離れる 
- 俵万智 TAWARA Machi -

Meaning: In their scattering, the (Sakura) petals take flight; with a soft smile, they let go of the branch."

 I like to see the scattering Sakura blossoms not as an end but as a ‘flight’, 
taking to the sky of their own will.
By association,  I think of the two of my grandchildren who graduated from junior-high 
and elementary school  and then entered the new chapter of their lives this spring.
 It's a flight with a cheerful smile — a departure, a journey to the next stage.



Sakura blossoms have an endearing way of whispering a gentle farewell.
There is something sad and uplifting at the same time.
See you next year.

Monday, March 2, 2026

Ume blossoms and light-up in the Toji Temple Garden


梅一輪 一輪ほどの 暖かさ
Ume ichirin, ichirin hodono, atatakasa

One Ume blossom
One blossom's
Worth of warmth

- 服部嵐雪 Hattori Ransetsu (1654-1707)  -

This haiku-poem has a preface that refers to the Ume blossom as a 寒梅 "winter Ume." 
寒梅 winter ume tree that blossoms in cold winter is a seasonal word for late winter, while Ume is for spring.
Ume, Japanese apricot, is the harbinger of spring in Japan.



When I was in the Toji Temple Garden with Ume trees in full bloom in the late February, 
it felt like that the weather was becoming warmer with each new bloom of 梅 Ume tree.
It was so warm that I could describe "full bloom worth of warmth" rather than
 "one blossom's worth of warmth".




河津桜 Kawazu-zakura, an early-flowering variety of cherry tree, were also almost in full bloom.




Numerous bamboo lanterns and bamboo balls are displayed for the light-up 東寺月回廊 To-ji Moon Corridor.

Multiple bamboo balls are suspended over Hyotan pond ....


.... and are hanging along the Moon Corridor.


When all the bamboo balls and lanterns are lit up, you're transformed into the ethereal world,
which is completely different from the daytime.








Despite the warmth of the daytime, the night was so chilly.
As usual, temporary warm spells will be interrupted by lingering, volatile winter conditions 
before the real spring is here.

- A little about Toji Temple -
Toji Temple (World Heritage) was built in 796 shortly after the capital was moved to Heian-kyo (Kyoto).
In 823, Kobo Daishi (Kukai) was entrusted by the reigning emperor, making it a key center for Shingon Buddhism.
The Five Storied Pagoda (National Treasure, reconstruction in 1644) is the tallest in Japan.


Linked to Mosaic Monday

Monday, February 9, 2026

Carried away from the woes of life in the floating world

The powerful winter pressure pattern over the weeks brought heavy snowfall across large parts of the country.
I've been chilled to the bone while the highest temperture has been hovering below 5 degrees C here in Nara.
One of the coldest days this season, I spent a pleasant time at the exhibition held at Grand Front Osaka,
UKIYOE IMMERSIVE ART - The floating world of Japan.

 
浮世絵 Ukiyo-e is paintings and woodblock prints that depict the daily life and entertainment of people 
during the Edo period (1603-1867).

"Ukiyo" is originally the word 憂き世 which means the world to worry about
Since the Heian period (794-1191), it has been used to express a pessimistic view of life based on 
the Buddhist concept of "impermanence".
People worry about hard, painful, sad, or unsettling situation in this earthly world.

During the Edo period, as townspeople gained economic power, their mindset ​​changed to a positive one
 to get through difficult reality with enjoyment.
The word Ukiyo got new Chinese Character 浮き世”.
浮かれる/Ukareru is a verb meaning "to get carried away" or "to get too excited."
浮き世 Ukiyo is a world where people pursue fleeting, yet exhilarating pleasure. 

Ukiyo-e was a representative pop culture that was deeply loved by the common people of the Edo period.
The vibrant, colorful prints were affordable to the general public.
It is said one print cost no more than a bowl of noodles. 
They were like social media or magazines in that time.

 I passed through Ukiyo-e Spaces to immerse myself in each theme, 藍, 跳, 麗, 彩, 豪, and 雅.


- 藍 AI, Indigo, or Japan Blue -

The contrast between nature's power and serene, quiet stability of Mt. Fuji from unexpected perspectives



 Shades of indigo is one of the representative colors of Ukiyoe, captured in the fleeting appearance 
of the sea water or rainy landscape.




- 眺 Chou, Great View -
Utagawa Hiroshige and Katshushika Hokusai, the masters of landscape prints, make us feel like that
we travel around Edo and along the Tokaido Road.

Katsushika Hokusai, 36views of Mt. Fuji

Utagawa Hiroshige


-  
麗 Uruwashi, Beauty  -

Kitagawa Utamaro revolutionised the art of portraying beautiful women focusing on even the smallest strand of hair. 
 His works were overwhelmingly popular at the end of the Edo period. 
Beautiful women express detailed emotions from joy, anger, and sorrow. 


- 彩 Sai, Colors  -
The world of 花鳥風月 Kachofugetsu

Kachofugetsu represents the poetic, artistic, and traditional Japanese aesthetic of appreciating
the beauties of nature, flowers, birds, wind, and the moon in four seasons.





 

- 豪 Goh, Formidability -
Musha-e/Warrior paintings,  Dramatic moments of heroes



- 雅 Miyabi, Elegance -

Mount Fuji is an endearing symbol of elegance and beauty, known for its perfectly symmetrical, 
snow-capped cone shape.

In his 36 views of Mt. Fuji, Katsushika Hokusai portrayed Japan's highest peak elegantly in various seasons, 
in different weather, and from unexpected perspectives.
The print below captures a rare natural phenomenon; the early morning sun, typically in late summer
or early autumn, illuminates Mt. Fuji, truning its slopes a deep reddish-orange color.

凱風快晴 Gaifu Kaisei, Fine Wind, Clear Morning


Linked to Mosaic Monday